|
|
|
"...uses therapy to invent a new genre in musical theatre performance: Free association musical theatre. It's fun, it's exciting, it's challenging, it's humorous and it's done exceptionally well here by both Nancy Evans and her pianist Brunetti.
|
|
|
|
|
|
The critics love "True Genius"
|
|
|
|
|
|
|
The word is out about "Love with a Twist"
Carmen Meets Cole Porter
|
|
|
|
|
|
Soprano Nancy Evans’ was a visual feast. Her solos were well delivered with rhythmic aplomb.
|
| The Straits Times |
|
|
|
|
|
|
Nancy Evans was equally appealing in the roles of Rosalinde and Adele which she sang on alternate nights as a relaxed actress and an agile vocal performer.
|
|
Opera Magazine
|
|
|
Nancy Evans Breathing Life into a Production. Her easily heard voice penetrates to the corners of Chulalonghorn’s enormous auditorium. She can project with an ease that is enviable to the new singers of the Bangkok Music Society’s cast of “La Traviata”
|
|
The Nation World News
|
|
|
|
|
|
Nancy Evans, a professional opera singer, was naturally the most impressive and inspiring vocally. Her duet was poignant and powerful and she was awesome when she slipped into her solo…(Review of Stars on Broadway)
|
|
The Business Times
|
|
|
Performing with the Hong Kong Philharmonic, Nancy Evans was outstanding among the ladies singing a lively “Wouldn’t It Be Lovely” from My Fair Lady and sharing a romantic duet…
|
|
The Nation / The Independent Newspaper
|
|
|
|
|
|
Vivacious lady virtuoso voice. Her dynamic personality and professional presentation on stage make the audience feel a part of the performance. Ms. Evans’ performances leave confirmed opera buffs inspired and open doors for those who never realized they were opera fans.
|
|
The Guardian
|
|
|
|
|
|
|
|
|
|